Pillars of Eden, Lago di Como, Italy Fresco Photography © Diane Epstein

“I make art as a form of healing, to bring love and attention to the preciousness of all living beings; to inspire engaging, emotionally resonant environments, and breathe fresh air into the interior space. The fresco images honor ageless, timeless beauty, and reveal nature’s universal gifts, like ancient, layered love notes, reminding us of what truly matters.

My mixed-media approach to fine art integrates a unique form of photography, which I have referred to as fresco photography since 2004. I superimpose textural elements with natural, architectural, sculptural and cultural scenes, building depth and translucency, with layer upon layer, interweaving photographic, painting and collage elements. Each contemporary image becomes part of my palette, until the depth, colors, shapes and textures take form, transporting me into an imaginative realm, until I recognize a visceral impression that gives me a sense of completion.

I have been developing fine art and fresco photography, originally inspired during my two decade sojourn in Italy — it was the old-world patina of time and the enlightening recognition I felt when standing in front of an awe-inspiring ancient, fresco painting. Since returning to California in 2016, I find myself incorporating more painting, collage and natural scenes into my fresco images, partly due to my access to the wonder and beauty of nature, and because of my deepening engagement in biophilic art and design.”

Diane Epstein

Diane Epstein

“I am passionate about the creative process, from the visioning, exploring and shooting out in the field, the art-making and collage in my garden-studio, to the final installation and interior placement. My artistic vision is expressed and reflected in the spirit of place, and as a portal into the natural world, the figurative form, and the sacred.

Over the years I’ve created and curated large-scale art installations and exhibitions in art galleries, hospitality, healthcare, universities and corporate environments. I’m also pleased to have my work acquired in numerous esteemed private collections around the world.

Take a look at six curated collections in the portfolio, and feel free to contact me, and let me know if any particular images spark your interest.”